Block printing is a relatively low-cost, low-barrier, and easy way to begin making art that is part of a rich tradition of printmaking, spanning multiple cultures throughout the world. From the Japanese woodcut moku hanga prints, depicting the “Floating World” or Ukiyo-e; to the 2000-year history of block printing on fabric in India; to the rich history of etching, wood engraving, and other printmaking techniques employed in Europe since the Renaissance, printmaking continues to be a way to make art accessible to the masses both in terms of owning the finished product and in terms of making the art itself.
In this comprehensive two-day workshop, designed to suit both beginners and those with some experience, you’ll dive deep into the art of block printing through hands-on learning and exploration of both single-color and multi-color techniques.
Day One: Foundations of Block Printing
Day Two: Multi-Color Techniques and Advanced Methods
Throughout both days, participants will receive individual guidance and feedback while working at their own pace. More experienced participants will have opportunities to explore advanced techniques and push their creative boundaries. All participants will leave with their own completed editions of both single-color and multi-color prints.
Materials Included:
What to Bring:
Light breakfast, coffee, tea and water will be provided. Please bring a sack lunch and a water bottle. Participants have access to refrigerator, microwave and stove, and a 1 hour lunch break will be built into both days.
You will note two separate tickets below, with different materials costs included in each. Please be sure to choose the appropriate one so we can have your materials ready for you! If you are a beginner with no tools, your ticket will include an $85 fee for everything you need for the weekend. If you are coming equipped with your own tools, the fee is $45 for linoleum blocks, ink, and paper.
Space is limited to ensure individual attention. All skill levels welcome.
Participants must be 16 or older due to sharp tool usage.
Brian first began making visual art in his late teens, painting with oils on old vinyl roll-up window blinds found in the closet of his double-studio apartment. He took a handful of painting and mixed-media classes at Pacific Northwest College of Art and Portland Community College, but is primarily self-taught. He has been a part of group exhibitions, juried shows, and solo exhibitions at galleries, coffee shops, and bars around Portland since the late 1980s. He began working primarily in block printing in the 2010s and is a member of Print Arts Northwest, and was a PAN Emerging Printmaking Resident in 2023/24. He is also a professional musician and the author of four books of poetry and prose. He works as a nonprofit consultant, grants researcher, and grant writer.